
- FINAL CUT PRO 10 MANUAL
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Well, I want to share with you the top ten reasons that I believe should put that belief to rest.
FINAL CUT PRO 10 PRO
Then again, there are those who don’t use it because they have bought into the false notion that Final Cut Pro X is not a “professional” NLE.
FINAL CUT PRO 10 UPGRADE
there was no upgrade path from version 7 and the legacy version was “End of Life’d” at the same time that Final Cut Pro X was released), that many editors today refuse to use it on principle. So angry they were at extreme changes Final Cut Pro had undergone, and the way in which the transition was handled (e.g. I’ve read comments on sub-Reddits where editors have admitted as much. It’s just “iMovie Pro” some still say.īelieve it or not, some people still poo-poo the NLE not necessarily because they think it’s not capable, but because they are still hurt. To this day, ten years later, I still read comments from editors who claim Final Cut Pro X is not for professionals. However, hop on any sub-Reddit, Facebook group, or any other forum for professional editors, and you wouldn’t necessarily know it.
FINAL CUT PRO 10 SOFTWARE
As any professional editor who uses the program will tell you, the “legacy” version of the software pales in comparison to the power and speed of Final Cut Pro X. I can’t help but wonder if the engineers over at Apple didn’t have this phrase in mind when they took to rebuilding Final Cut Pro from scratch. The famous late 70s TV show “The Six Million Dollar Man” had a famous line from its opening credit sequence: Nothing could have been further from the truth.

And perhaps the greatest change of all was that magnetic timeline.Īfter nearly a decade of slowly becoming a formidable competitor in the NLE space, this new version seemed like it was some kind of tacit announcement that Apple was abandoning the professional market. Key collections replaced “Bins.” Tracks were completely eliminated.

On top of that, it adopted an entirely new paradigm for how it worked. Many of the core features that were popular and used frequently in Final Cut Pro 7 were not in Final Cut Pro X when it released. AMD Radeon RX 580 graphics card recommended for best performance.As promising as the announcement was, two months later when the new version was released, perhaps not even Apple could have predicted the blowback. Discrete graphics card, macOS High Sierra or later, and SteamVR required for VR headset support.256MB of VRAM (1GB recommended for 4K editing, 3D titles and 360° video editing)1.OpenCL-capable graphics card or Intel HD Graphics 3000 or later.4GB of RAM (8GB recommended for 4K editing, 3D titles and 360° video editing).
FINAL CUT PRO 10 TRIAL
Compare that to the 7 day free trial Adobe Premiere Pro 2020 gives, and you may favour Apple’s offer if working from a Mac. The Final Cut Pro X free trial lasts 30 days, but is currently extended to a whole 90 days due to the covid-19 pandemic, which is longer than any other free trial video software we can find. However, we’re also aware that for those that can, creators can generate their own titles and motion graphics using Apple Motion - but we’re aware that’s an extra purchase, and new skill to learn that is just one step too far for some users.

We’d like to see this improved in a similar way that Adobe have done with Premiere Pro 2020 by introducing their stocks tab right inside the software. However, the Titles and Generators sidebar includes graphics that look like they’re straight out of the 90s with cheesy text and visuals.
FINAL CUT PRO 10 MANUAL
It has a good level of manual adjustment for color grading and tone details. It makes good use of space, with a clean, smart layout including the inspector panels which can switch between video, color, audio, or analyse EXIF data. Video rendering is almost instant in Final Cut Pro X, and you can scrub through clips in the browser, or timeline without lag and it even outputs audio simultaneously. The GUI is relatively intuitive, but certainly baffles beginners at times with hidden menu items behind drop-down windows. Final Cut Pro X: should you buy it?įinal Cut Pro X is ideal for professionals that require the extra level of high-end control that other softwares lack (such as the massive multicam feature) and also caters for less experienced users, too. Where Compressor adds customisable output settings which also supports 360° video, HDR, HEVC and MXF output. Motion is capable of processing 2D and 3D titles, transitions, and real-time effects, as well as being capable of processing this all in 360 degree content as well. For an additional $50 you can also integrate Apple’s Motion, and Compressor softwares into FCP X for improved motion graphics and content delivery, with which FCP X shares its render engine.
